Equipment and calibration

The bench

Two transfer rooms, five transports, one converter chain per room, and a logbook that is more important than any of it. Model names are deliberately generic here - what matters for your job is the state of the machine, and that is in the log.

Room 1 - tape and cassette

Room 2 - wire and disc

Converters and capture

Room 1 converter
two-channel, 24-bit, up to 192 kHz, clocked internally
Room 2 converter
two-channel, 24-bit, up to 192 kHz, used at 192 for wire and disc
Capture
two workstations, no plug-ins loaded on the capture path at all
Monitoring
near-field pair per room plus two sets of closed headphones
Array
two mirrored working disks, 8 TB each, plus an offline disk rotated weekly

Calibration log, recent entries

Reference tape run every Monday; azimuth also set per reel. Figures are deviation from reference.
DateMachine1 kHz level10 kHz50 HzAction
2026-10-05Deck 1+0.1 dB−0.3 dB+0.2 dBnone
2026-10-05Deck 2−0.2 dB−1.1 dB+0.1 dBhead cleaned, retested −0.4 dB
2026-09-28Deck 10.0 dB−0.2 dB+0.2 dBnone
2026-09-28Cassette A−0.5 dB−1.8 dB0.0 dBazimuth reset, pinch roller cleaned
2026-09-21Deck 3+0.3 dB−0.6 dB+0.4 dBnone

Quarterly measurements

Once a quarter we measure wow and flutter and third-harmonic distortion on every transport and keep the figures where clients can ask for them. The last round, on 2026-09-07, gave weighted flutter of 0.04 % on Deck 1, 0.07 % on Deck 2 and 0.09 % on the wire transport, with distortion at operating level under 0.6 % everywhere. Deck 2 drifted from 0.05 % in June; the belt is on the list for replacement in November and the figure is in the log so nobody has to remember it.

Why we do not publish model names

Two reasons. A machine name tells you nothing about whether its heads are worn or its azimuth was set this week, and it invites an argument about brands instead of a conversation about your tape. If you are an engineer and the specific transport matters to your decision, write to tech@wiredrum.llc and we will tell you exactly what is in the rack.