Equipment and calibration
The bench
Two transfer rooms, five transports, one converter chain per room, and a logbook that is more important than any of it. Model names are deliberately generic here - what matters for your job is the state of the machine, and that is in the log.
Room 1 - tape and cassette
- Deck 1 - 1/4 in two-speed studio transport, 7 1/2 and 15 ips, full-track and half-track head blocks, rebuilt capstan motor in 2023. Our workhorse; roughly 70 % of jobs.
- Deck 2 - 1/4 in four-speed transport, 1 7/8 to 15 ips, quarter-track block. Used for domestic tapes and anything recorded on a consumer machine.
- Deck 3 - 1/2 in four-track transport, single head block, on a rolling stand because the room is not big enough for it to live out permanently.
- Cassette A / B - two three-head decks with manual azimuth adjustment, one kept strictly for 15/16 ips logging tapes with the motor pulley changed for the purpose.
- Preamplifiers - two discrete transformer-input stages, 60 dB, flat; equalisation is applied after capture, in software, so the curve is a number in a log rather than a switch position somebody forgot.
Room 2 - wire and disc
- Wire transport - rebuilt 24 ips mechanism with a modern tension arm, a replacement head of 0.004 in gap and our own head amplifier. The original drive motor was replaced in 2021 after it marked a client's wire.
- Wire transport 2 - spare, currently apart for a capstan bearing (see the journal).
- Turntable - belt-driven platter with 33 1/3 and 78 rpm, adjustable arm with interchangeable heads, five styli from 2.3 to 3.5 mil, all truncated elliptical.
- Disc preamp - flat moving-magnet stage; no curve applied at capture, same policy as the tape rooms.
Converters and capture
- Room 1 converter
- two-channel, 24-bit, up to 192 kHz, clocked internally
- Room 2 converter
- two-channel, 24-bit, up to 192 kHz, used at 192 for wire and disc
- Capture
- two workstations, no plug-ins loaded on the capture path at all
- Monitoring
- near-field pair per room plus two sets of closed headphones
- Array
- two mirrored working disks, 8 TB each, plus an offline disk rotated weekly
Calibration log, recent entries
| Date | Machine | 1 kHz level | 10 kHz | 50 Hz | Action |
|---|---|---|---|---|---|
| 2026-10-05 | Deck 1 | +0.1 dB | −0.3 dB | +0.2 dB | none |
| 2026-10-05 | Deck 2 | −0.2 dB | −1.1 dB | +0.1 dB | head cleaned, retested −0.4 dB |
| 2026-09-28 | Deck 1 | 0.0 dB | −0.2 dB | +0.2 dB | none |
| 2026-09-28 | Cassette A | −0.5 dB | −1.8 dB | 0.0 dB | azimuth reset, pinch roller cleaned |
| 2026-09-21 | Deck 3 | +0.3 dB | −0.6 dB | +0.4 dB | none |
Quarterly measurements
Once a quarter we measure wow and flutter and third-harmonic distortion on every transport and keep the figures where clients can ask for them. The last round, on 2026-09-07, gave weighted flutter of 0.04 % on Deck 1, 0.07 % on Deck 2 and 0.09 % on the wire transport, with distortion at operating level under 0.6 % everywhere. Deck 2 drifted from 0.05 % in June; the belt is on the list for replacement in November and the figure is in the log so nobody has to remember it.
Why we do not publish model names
Two reasons. A machine name tells you nothing about whether its heads are worn or its azimuth was set this week, and it invites an argument about brands instead of a conversation about your tape. If you are an engineer and the specific transport matters to your decision, write to tech@wiredrum.llc and we will tell you exactly what is in the rack.